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Pentax 67

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Hugh is off-line
17 April 2012 09:47
Hugh
Photographer
Hugh
Location
United Kingdom
Dyfed
Aberystwyth

Anybody else using one?

Just interested.

It's not Fine Art just because it's in Black and White.


Graham is off-lineSilver Member
17 April 2012 10:34
grahamsphotography
Photographer
grahamsphotography
Location
United Kingdom
West Sussex
Chichester


Had 3 of them years ago, but transfered to Mamiya 645 for the interchangeable backs, also found that Mamiya 645 lenses to be sharper and of course kits were much lighter. The 3 Mamiya kits I had would have been over £20,000 at todays money, but them were the days when a jobbing photographer could earn a good wedge.



Laurence Power is off-line
17 April 2012 10:47
LaurenceJPower
Photographer
LaurenceJPower
Location
United Kingdom
Surrey
Esher

Mine was stolen but I did love it, only problem, version 2 (mirror up version) was not as robust as it looked.
Laurence J. Power


Roger Vaughan is off-line
17 April 2012 11:55
BigEarsPix
Photographer
BigEarsPix
Location
United Kingdom
Warwickshire
Rugby

Still got mine but haven't fired the shutter in years. I wonder if it still works?
Roger Vaughan


Hugh is off-line
17 April 2012 14:11
Hugh
Photographer
Hugh
Location
United Kingdom
Dyfed
Aberystwyth

I've just started using mine again - for the 105mm/2.4 used wide open.
Tried to get the same effect using the Canon 50/1.4 and failed.

Certainly get a different response from the model.

Bought the daughter a Mamiya 645, prism and standard lens for Uni work - £200 - lovely little machine.
It's not Fine Art just because it's in Black and White.


Ross McKelvie is online
18 April 2012 01:19
Photoflash
Photographer

Location
United Kingdom
Hertfordshire
Watford

Had a couple years ago but changing films was far too slow, even with an assistant reloading one while I used one.
I upgraded to a RB67 with 6x8 backs, never regretted it.
I prefer the 6x8 format anyway, and flash synch at all speeds as I almost always use fill in flash.

The flash synch speed on the Pentax is only 1/30th


wilsonc is off-line
18 April 2012 01:20
wilsonc
Photographer
wilsonc
Location
United Kingdom
Merseyside
Liverpool

Been using a Pentax 67II last couple shoots, love the 105mm. Also the 1/30 sync speed didn't seem to be too much of a problem in the studio. Although I can see it being useless outside the studio when trying to use fill flash.

I took this last week at 1/30th handheld on the 105mm.

http://www.karkwai.talktalk.net/darling/D199c---20120415---01---Delta-100,-R09.jpg

Agree about changing film, it takes me a couple of minutes to do it, and you have to do it quite often as you only get 10 shots.


NWP is off-line
18 April 2012 01:53
shapeman
Photographer
shapeman
Location
United Kingdom
Greater Manchester


Really Nice image.



Quote from wilsonc
Been using a Pentax 67II last couple shoots, love the 105mm. Also the 1/30 sync speed didn't seem to be too much of a problem in the studio. Although I can see it being useless outside the studio when trying to use fill flash. I took this last week at 1/30th handheld on the 105mm. http://www.karkwai.talktalk.net/darling/D199c---20120415---01---Delta-100,-R09.jpg Agree about changing film, it takes me a couple of minutes to do it, and you have to do it quite often as you only get 10 shots.

If everyone demanded peace instead of another television set, then there'd be peace. John Lennon


RGBphoto is off-linePlatinum Member
18 April 2012 02:00
magpie1
Photographer

Location
United Kingdom
Tyne and Wear
Newcastle

Get quite nostalgic about the 'old' 67. Very odd camera in some ways, heavy, shutter and mirror clack that made ripples on ponds, but wide angle lenses were among the best of their day, especially, in my experience the 45 mm. The 165mm and 135 macro were incredibly sharp and punchy, also with shutter in body the Pentax MF lenses had larger apertures, than most comparable systems. Film loading was always, to me, a bit of a chancy business, one had to really concentrate on getting the film lined up properly and carefully ensure the initial take up was tight, otherwise a very slack wind ensued.
I took a shot with the Pentax 67 that won an Ilford B+W award (1st) so it always has a special status for me-and I still have the negative.


Rob Knight is off-line
18 April 2012 02:42
arkady001
Photographer
arkady001
Location
Europe
Germany
Iserlohn

I still have mine - totally mint with the wood-grip and photomic head plus three lenses...

Agree about the film-changing: I preferred the 'Blad for it's speed (assuming you had a half-dozen backs pre-loaded...lol) but preferred the 6x7 format...

I don't think it's had film put through it in over ten years...
"When I hold a camera, I know no fear..." - Alfred Eisenstadt



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